Until 1989, the village of Dafen in the city of Shenzhen, China was little more than a hamlet. It now has a population of 10,000, including hundreds of peasants-turned oil painters. In the many studios, and even in the alleyways, Dafen’s painters turn out thousands of replicas of world-famous Western paintings. Nobody thinks anything of an order for 200 Van Goghs. To meet their deadlines, painters sleep on the floor between clotheslines strung with masterpieces. In 2015, the turnover in painting sales was over $65 million.
Directors Haibo and Kiki Tianqi Yu, the father-daughter team, followed one of the painters, Xiaoyong Zhao. He and his family have painted around 100,000 Van Goghs. After all these years, Zhao feels a deep affinity with Van Gogh. Having never seen van Gogh’s original paintings, Zhao’s biggest dream is to travel to Amsterdam to see the works of his legendary associate. After struggling and saving, he fulfils dream. In Europe, his encounter with van Gogh’s paintings brings an epiphany. Although dejected at the revelation, Zhao is inspired by van Gogh’s paintings and the hardships he suffered, and resolves to dedicate himself to his own original art, searching for his own authentic voice in order to be true to the spirit of his hero and mentor – Vincent can Gogh. China’s van Goghs not only presents how this painter pursues his dream, but also tells the human story of challenge and struggle during the journey, emblematic of the journey that China is going through from ‘made in China’ to ‘Created in China’.